Rooted in Hull Design Portfolio Video Presentation
References Rooted In Hull. 2022. Rooted In Hull. [online] Available at: <https://www.rootedinhull.org.uk/> [Accessed 9 January 2022].
Rooted in Hull Design Portfolio Video Presentation Read More »
References Rooted In Hull. 2022. Rooted In Hull. [online] Available at: <https://www.rootedinhull.org.uk/> [Accessed 9 January 2022].
Rooted in Hull Design Portfolio Video Presentation Read More »
Thoughts and potential ideas have been taken from the master plan and converted and developed into design solutions using 2D graphic design. The first design idea taken from the master plan was merchandise. The designed merchandise consists of eight reusable tote bags, eight reusable cups and six reusable face masks, all designed with sustainability and brand promotion in mind. The designs created use the four main components in graphic design, including conceptual design, colour, typography and composition. The colours used for each product match the existing Rooted in hull colour pallet to make sure that the brand identity isn’t confused and runs seamlessly through all new and future developments. The typography used through each design is called Scarlet Wood and was chosen to represent natural resources, sustainability and the urban farming aspects of the organisation, such as food growth and eco-friendly practices. The composition has been carefully thought about when displaying printed designs on products. Making sure they’re striking and memorable, attracting the audience with catchy phrases relating to Rooted in Hull, promoting the organisation and attracting the consumption of sustainable everyday products earning profit for Rooted in Hull. Finally, the Rooted in Hull logo is displayed on each product to ensure that the organisation is recognised by the public and promoted. The second design idea taken from the master plan was a poster. The developed artwork is a promotional poster with the intent to upsell the above merchandise, which can be displayed around the site for potential customers and the community to refer to when shopping, learning or cooking at the urban farm. The poster consists of the same components as the above merchandise to keep with the Rooted in Hull brand identity and theme. The final design idea taken from the master plan consists of both a loyalty card and an app. The loyalty cards can be utilised as a physical card or as part of the app designed as an online shop/donations platform. The elements used all relate to the previous design solutions, keeping with the original brand identity. The colours used link seamlessly to the original Rooted in Hull colour pallet, creating relations to everything they have made in the past and promoting the earthly organisation through bright and attractive colours, relating to the help they provide to the community around them. The illustrations used throughout the app and loyalty cards have been taken from the merchandise to create new icons and stamps. The same typeface Scarlet Wood has been used to create smooth transitions between online and physical products. In conclusion, the three design solutions created all relate to each other and follow the same main principles to create a seamless and recognisable brand identity through typography, colour, composition and conceptual design. Furthermore, the design solutions have been developed to last forever, being reusable, either through merchandise or online platforms. Finally, the designs will promote Rooted in Hull, draw in new audiences, and help spread the word about the urban farm and the good they put into the community. Attracting new investors and donations. References Rooted In Hull. 2022. Rooted In Hull. [online] Available at: <https://www.rootedinhull.org.uk/> [Accessed 9 January 2022].
Original Artwork (Developed from the Master Plan) Read More »
Rooted in Hull have announced the opening of a new pizza parlour and require the help of the BA (Hons) Graphic Design students with developing a logo for the organisation. The client brief stated that the logo had to include a variation of the Hammer and Sickle, including tools used for making pizza. The logo design includes a pizza cutter and a pizza shovel to exhibit the hammer and sickle; other elements include a potential pizza parlour name (Rebel Recipes) and stars resembling pepperoni pizza toppings to bring the design together. The logo uses colour, composition, and typography; the colours used are subtle but impactful in creating a sophisticated and realistic feel to the imagery. The central composition of the primary two elements of the logo create balance and structure for the rest of the logo to flow naturally and create a frame. Finally, the typeface used (Brother 1816 Printed) is bold and in black with rough edges to relate to the craft of pizza making. The flyer, designed as a promotional piece of work to share the news of the new pizza parlour, includes the above logo, typography and shapes. The complementary shades of orange used in the background make the logo stand out and become the piece’s focal point to create a recognisable image for future customers and the general public. The typeface used for the logo and location of the Pizza Parlor is Brother 1816 Printed. The typeface used for the promotional information on the flyer is Millesime; this is to help the critical information such as the location stand out from the rest of the information. The second logo and flyer are variations of the designs above. The colours used have been altered to the original Rooted in Hull colour scheme so that the pizza parlour sits well within the Rooted in Hull site. A small Rooted in Hull logo has also been placed at the bottom of the designs to tie together the organisations. The third logo design consists of a pizza cutter, flames and typography. The fire behind the pizza cutter represents the stone oven where the pizzas are cooked, whilst the pizza cutter relates to the craft and makes it clear to the audience that the logo is, in fact, for a pizza parlour. The colours make the logo pop and draw the readers eyes straight to the typography. The composition of the three elements makes the logo highly legible and easily recognisable. The simplistic design of the final flyer design is straight to the point and shows the essential information without being overcrowded and unreadable. The Rooted in Hull colours were used throughout the flyer to ensure that the pizza parlour relates to its roots. The colours compliment the centrepiece logo by drawing out the flames and creating dimension with the pizza cutter. The Rooted in Hull logo was also placed on the flyer to form connections between the two. The pizza boxes have been designed to include the above logos to promote the pizza parlour whilst being transported. The colours used throughout the pizza boxes are a mixture of Rooted in Hull’s primary colours and the pizza parlours logo colours; this creates definition and makes the pizza tools stand out. The Rooted in Hull logo was added to establish that the two organisations work together. References Rooted In Hull. 2022. Rooted In Hull. [online] Available at: <https://www.rootedinhull.org.uk/> [Accessed 9 January 2022].
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Organisations and company’s use graphic design manuals to communicate their brand identity to designers, this ensures the designers tailor their work to their clients standards so that everything sits in line with their brand. The screenshots below show the Hull branding manual as an example and initial research for inspiration for the Rooted in Hull graphics manual. The Hull branding manual shows good examples of simplistic design methods used to create new promotions for Hull. The pages below were a great inspiration when designing the Rooted in Hull Graphic Standards Manual. The contemporary layout makes for an attractive design, swaying away from the usual corporate graphic design manuals, which helps draw in the audience. The first page in the Rooted in Hull graphics standard manual is Typography; this page shows all the acceptable and unacceptable examples of typefaces that can be utilized for future Rooted in Hull branding. The layout of this page makes it easy to understand and simple to follow. The good typeface examples have a woody appearance, linking well to the overall theme of the urban farm, whilst the bad is bold and bulky, relating to a more manufactured feel. The second page in the Rooted in Hull graphics standard manual is Composition; this page shows the acceptable and unacceptable examples of layouts and Composition. The page shows how to place the Rooted in Hull logo on pieces of future work. The future designs should not be manipulated in a way that makes the overall design look squashed and out of place. The logo placement should be consistent throughout future plans, helping to emphasize brand identity. It also explains ways in which the logo, for example, would look out of place, guiding on the necessary placements for future design work. The third page in the Rooted in Hull graphics manual is Colour; this page shows acceptable and unacceptable examples of colourways. The acceptable colour choices are displayed on the left; these include Rooted in Hulls original brand identity colours with added shades for typography and design details. The page is easy to understand and displays the colours in a simplistic but creative way. The final page in the Rooted in Hull graphics manual is Photography; This shows acceptable and unacceptable examples of photographs. The correct photos are clear with good Composition. The images haven’t been edited heavily, which projects an honest and transparent message to the audience. The incorrect photographs are overly zoomed with bad Composition, creating a less professional outcome. The images are also overly-edited, losing quality and essential details of the definition required to bring the photo to life. In conclusion, the standards discussed above are easily understandable, making it easy for future designers to follow the branding guidelines, ensuring that the work sits well alongside the past projects. References Human Design. 2022. City Brand for Hull – Human Design. [online] Available at: <http://humandesign.co.uk/portfolio/city-branding-hull/> [Accessed 9 January 2022]. Rooted In Hull. 2022. Rooted In Hull. [online] Available at: <https://www.rootedinhull.org.uk/> [Accessed 9 January 2022].
Rooted In Hull Graphic Standards Read More »
Following on from the Rooted in Hull interview held at the University of Hull by the Graphic Design students, lecturers and CEO Adrian Fisher, a master plan based on all of the information shared at the event has been created. Groups were formed after the event to discuss potential ideas and design solutions the students could utilise to develop a larger audience for the small business. The use of mind maps and notes were used to form connections between different ideas based on the four main graphic design components, including composition, colour, typography and conceptual design. These aspects were considered when producing design ideas such as merchandise, packaging, web design, potential events and brand promotion. Moreover, during the interview, Adrian Fisher’s vital information explaining the future of what he would like from his organisation and brand identity has set clear goals to obtain, reaching out to larger-scale businesses, the hierarchy and the general public. Therefore, sparking interest in new audiences spreading the word about how Rooted in Hull are helping people in need and the environment at the same time. Merchandising is an excellent way of promoting the organisation and earning money simultaneously. The merchandise could be made out of sustainable materials to keep within the organisation’s ethos and brand identity whilst also greener for the environment. For example, the merchandise could consist of reusable bags, great for carrying shopping or everyday essentials, reusable cups for commuting to work and on the go and reusable face masks as they’re now an everyday essential for keeping people safe, which also relates to the ethos of the organisation. Rooted in Hull could potentially have an online store where merchandise could be bought, loyalty points earned, and donations collected to help the organisation achieve its future goals. Moreover, physical loyalty cards and donation boxes could be utilised for people unable to use an app or access the internet or a mobile device. Donation boxes could be displayed at other local small businesses such as coffee shops and sustainable clothing stores to show support, and further help spread the word about Rooted in Hull’s identity and goals. Social media platforms are also great for sharing information about Rooted in Hull and spreading the word further through online communions such as Instagram, Facebook, Twitter, and Tic Tok. Expanding on communications, Posters, banners, and leaflets could also be designed to catch the general public interest, displaying physical promotional information around the city centre and on community boards could also draw in potential business partners and donations for Rooted in Hull. References Rooted In Hull. 2022. Rooted In Hull. [online] Available at: <https://www.rootedinhull.org.uk/> [Accessed 9 January 2022].
Rooted in Hull Graphic Design Master Plan Read More »
Contact information Adrian Fisher Rooted in Hull Address – St Peter Street, Hull HU9 1AA Email – adrian@rootedinhull.org.uk Release date : 11th November 2021 Rooted in Hull CEO Adrian Fishers Meets with First Cohort of BA (hons) Graphic Design Students – University of Hull Rooted in Hull is an urban farm situated in Hull. The farm was founded by Adrian and Mark, two friends who wanted to do something good for the community during 2014. The donated site has made good use of derelict dry dockland and is now a thriving creative space for people to learn and enjoy quality time together. The site consists of shipping containers and raised beds for planting; this makes the farm easy to move if needed at short notice. The farm also uses innovative technology to reduce its carbon footprint, ‘Our site incorporates future-thinking environmentally sound technology such as reed bed water filtration, solar energy, there’s a composting toilet on site, and we’ve even got a new electric cargo bike so we can make local deliveries from the farm.’ (Our Story – Rooted in Hull, 2021). The organisation has many goals, but the primary mission is to provide less fortunate families with healthy food and a chance to learn new lifelong skills whilst bringing the community together through food production and sustainability. Rooted in Hull also provide immense educational support to Hull College; they provide industry-based experience for students learning a trade such as plumbing, welding and electrics, taking on 50 new students yearly. The first cohort of twenty-five BA (Hons) Graphic Design students met Adrian Fisher, the CEO of Rooted in Hull, on the 2nd of November 2021. The aim of the interview was to establish a professional relationship between the students and the organisation. Adrian Fisher provided great insight into the business, and future plans were discussed. The students met with the Graphic Design programme leader Robert Consoli, Digital Media lecturer Jason Hayhurst, Television Production specialist Dr Terry Westby-nunn and Adrian Fisher for an hour-long interview in the new media centre on campus. Interviewing Adrian Fisher led to discussions about wealth, greed, and environmental worries and how changing the mindset of people with honesty and transparency can push for change within a close-minded community. Rooted in Hull are striving to create a happier, healthier community through sharing, learning and generosity. Discussed were ways in which Rooted in Hull can persuade people to donate to the cause helping to change peoples lives in the most positive way. Design solutions were discussed to attract people to invest in Rooted in Hull. The students aim to design leaflets, posters and merchandise to promote their charitable acts and develop the brand identity. The designs will be displayed around Hull and surrounding areas in hopes of captivating donations that will promote Rooted in Hull efforts, creating jobs and opportunities for people less fortunate in life. Furthermore, web design, advertising and social media platforms can promote Rooted in Hull to a broader population, bringing in people from different backgrounds and creating a wider community to enjoy quality time, learning and growing as individuals at the urban farm. References Rooted In Hull. 2021. Our Story — Rooted In Hull. [online] Available at: <https://www.rootedinhull.org.uk/our-story> [Accessed 24 November 2021].
Keho Lake Farm is a family-owned business based in Canada, they provide organic fruit and vegetables to nearby supermarkets. ‘Composition in art is the way in which different elements of an artwork are combined. In general, this refers to the key subjects of the artwork and how they are arranged in relation to each other.’ (Rise Art, 2021). The Keho Farms logo shows good composition through text and image arrangement, and the use of colour and shapes. The key elements in place create a consistent flow of information, through graphic design, clearly displaying the purpose of the family-owned business. The readers eyes are immediately drawn to the flourishing centre piece plant, surrounded by two toned fields and sunrise acting as a curtain opening to the rest of the logo. The different tones of green used make the fields appear longer and more vast pointing out to the circular border in which the logo sits. The clever combination of the sunrise pointing upwards and the fields pointing out to the sides give the illusion of more space within the logo making it feel less cramped and over powering. The complimentary colours used throughout the logo are subtle but make a big impact on the reader, being consistent makes it easier to follow therefore making it more appealing. The typography has been arranged in different ways in which creates more shape and dimension to the overall logo. The brand name is bold making it standout to the audience whilst also acting as a separator between the imagery and typography making it look more professional and straight to the point. Overall the composition throughout the logo creates a more spacious feel to a small circular emblem. The Lambing Shed Farmshop and Cafe is located on a farm in Cheshire. The organisation aims to provide the public with the freshest produce and meat. The lambing Shed is firmly committed to the ethos of ‘farm to table’; all produce and meat come from the farm. The Lambing Sheds logo is an example of bad composition. The out of place typography makes the whole logo appear awkward and unprofessional. Moreover, the logo doesn’t stand out as the colours are too subtle, and the typography is unnoticeable, especially on a white background. The Lambing Sheds redesigned logo is simple but makes an impact on the audience. The original imagery works well within the new design and provides a subtle colour pop, bringing the whole logo together. In addition, the redesigned composition of the typography helps the viewer’s eyes flow naturally from one word to the other. Finally, the change in the colour of the typography makes it more noticeable; the bold black is clear with a youthful appearance; this relates to the cafe’s name and conveys the shop as family-friendly. In conclusion, the correct arrangement of elements such as typography and imagery is essential for making the composition of a piece work well. The accurate composition can create space and tell a clear story through elements such as colour, shape, typography and imagery. Finally, the new design is consistent, making it highly legible and easy to follow, getting the message across to the audience in a bold and striking way whilst not being too overpowering and crowded with lots of images. References Keho Lake Farms. 2021. Home – Keho Lake Farms. [online] Available at: <https://klfarms.ca/> [Accessed 30 October 2021]. Rise Art. 2021. What is Composition in Art? | Rise Art. [online] Available at: <https://www.riseart.com/guide/2412/what-is-composition-in-art> [Accessed 31 October 2021]. The Lambing Shed. 2021. About Us. [online] Available at: <https://the-lambing-shed.myshopify.com/pages/our-story> [Accessed 31 October 2021].
Composition/ Farm Shop Retail Read More »
ComCrop is an urban farming organisation based in Singapore. The pesticide and herbicide-free business utilises marginalised spaces by turning them into high-quality rooftop farms. The company uses hydroponic technology for planting, reducing water waste by 90%, and using sunlight instead of artificial lights indoors, making it a highly sustainable business. Around 90% of food in Singapore is imported, forcing them to become reliant on other countries, making them highly vulnerable to supply distribution. The use of urban farms minimises the risk and provides fresh, healthy food with a longer shelf life, resulting in less waste and increasing the responsibility behind sustainability. The Comcrop logo is striking, with a significant colour variation that sparks excitement and curiosity. The use of primary and secondary colours throughout the logo makes it vibrant and fun, catching the readers’ eyes. The colours used are green, yellow, blue, purple and orange, with the use of black and white shades to frame the logo through typography. The yellow representing the sun suggests happiness and creativity, reflected through the creative concept of urban farming. The colour green used for the typography and plants is associated with health and fertility, representing the extraordinary growth of plants. The calming blue used to describe the reduced water waste suggests intelligence and responsibility, portraying the business as trustworthy and honest. The accent colours used for the buildings are subtle enough not to take away from the true reasoning behind the main colour choices. The logo is displayed on a white background which really makes the colours pop and stand out. Finally, black is used to add depth and outline the imagery whilst also making the typography highly legible, pulling the whole logo together. Harvest London is an urban farm based in Layton, London. They grow herbs and vegetables through vertical hydroponic farming. Hydroponic farming is growing plants and food without the use of soil and using recycled materials instead. Utilising this method of farming is more sustainable. Using recycled materials reduces carbon emissions and stop the degradation of soil. The growth of food is controlled at every step of the process, ensuring that the right amount of sunlight, water, nutrients, and humidity is used to reduce waste. The logo is clear and well designed. The environmental green colour used throughout the logo represents growth and sustainability, while the white background is clean and tranquil. However, the colours used do not convey the urban message behind the organisation. The new colour scheme for the ‘Harvest London’ logo is simple but makes a powerful impact on the reader. The colours used signify a clear contrast between urban and rural climates. The healthy green colour has been reused for ‘Harvest’ and the tree emblem of the logo. The colour green symbolises nature, fertility and health, already making a clear suggestion that fits the organisation’s farming ethos. However, industrial grey has been used for ‘London’, characterised by the complex and elegant structures of the crowded city. The colour also signifies the thick smoggy polluted climate in which the innovative farm is located. The tranquil white background suggests that farming can work well within a city climate and attract more interest in green locations amongst other cities, bringing more nature, clean air and sustainability to modern living. In conclusion, the new colour scheme better represents the organisation to the audience, bringing all aspects of the brand and its goals into a simple, clean and polished colour scheme. References Comcrop. 2021. ComCrop – Singapore’s first and only commercial rooftop farming company – Comcrop. [online] Available at: <http://comcrop.com/> [Accessed 21 October 2021]. Harvest London. 2021. Harvest London – Fresh, sustainable ingredients through vertical farming. [online] Available at: <https://www.harvest.london/> [Accessed 21 October 2021].
Colour/ Urban Farming (Sustainable Produce) Read More »
‘HelloFresh’ is a sustainable food subscription service. They make mealtime hassle-free by providing produce already prepared and ready for cooking. The brand’s mission is to eliminate food waste and reduce carbon emissions by providing the correct quantities from the supply chain based on the customer’s requirements. The packaging is responsibly made to reduce plastic waste whilst maintaining the freshness and safety of the food; this can be recycled or composted after use. The boxes are shipped in batches on delivery routes planned for maximum efficiency and minimum fuel. The sustainable company is reducing the effects of climate change by only providing what is needed to live a healthy lifestyle with no unnecessary excesses. The typeface used in the ‘HelloFresh’ logo is bold, with a youthful play on letter blocking. In addition, the sans serif affair brings a clean and contemporary feel to the branding, reflected throughout the brand’s ethos of sustainability and innovative food processes. The kerning between the lettering is equally spaced with no overlapping, making it easy to read, and every individual letter stands out to the audience. Moreover, the slanted accents of the letter ‘H’ convey a playful message to the buyers, portraying the brand as new and exciting, reflected through the wide variety of creative recipes ‘HelloFresh’ deliver. Finally, the typography is simple enough to work across many platforms whilst still bold and compelling to draw in a large audience. This clear and concise lettering has a pleasingly modern look, drawing the younger audience into the brand’s sustainability ethos through food preparation. Therefore, providing education on sustainability and climate change and how the effects can be reduced by carefully planning mealtime. ‘Women’s Best’ is one of the fastest-growing female-orientated fitness brands. They sell nutritional products, including high protein foods and a wide range of healthy additives required to reach fitness goals effectively.They also sell activewear and sporting goods. The Women’s Best brand strives to help and encourage women to achieve their fitness goals by providing a creative, intelligent and open-minded community where women can learn to be the healthiest versions of themselves without judgement or criticism. ‘Without the right caloric intake, energy, and nutrients in your body, it is impossible to exercise effectively and achieve the weight loss that you desire.’ (Humphries, 2021). Ensuring the body receives the correct nutrition is critical for exercising, whatever the overall goal may be. Many people decide to cut nutritiously dense foods out of their diet on extreme calorie deficits for weight loss. However, slight calorie deficits are suitable for this specific goal; it is easy to start to lack vital nutrients the body needs, leading to deficiencies sometimes causing more harm than good. Food is fuel when exercising for any goal, so ensuring the body receives the proper nutrients is extremely important. The typeface used in the logo is highly readable and clear. The sans serif used gives a masculine and basic appearance to the brand. The typography is overpowered by the image above, almost sinking into the pink background. Moreover, the logo could be improved to make more of a lasting impact on the female-targeted audience. The redesigned script typeface incorporates femininity whilst conveying a bold and striking message to the target audience. The feminine typeface is delicate, curvy and has no harsh lines, flowing effortlessly between words making it easy on the eyes. In contrast, the uppercase typography represents strength and power, empowering women and forming a link to the brands products. Therefore, a better representation of the brand. References HelloFresh. 2021. Sustainability at HelloFresh. [online] Available at: <https://www.hellofresh.co.uk/about/sustainability> [Accessed 15 October 2021]. Hellofreshgroup.com. 2021. [online] Available at: <https://www.hellofreshgroup.com/en/sustainability/> [Accessed 15 October 2021]. Humphries, L., 2021. 6 Reasons Why Diet Is More Important Than Exercise. [online] Lifehack. Available at: <https://www.lifehack.org/363322/6-reasons-why-diet-more-important-than-exercising-for-weight-loss> [Accessed 15 October 2021]. Piper, D., 2021. HelloFresh rebrand is a triumph (but there’s one big problem). [online] Creative Bloq. Available at: <https://www.creativebloq.com/news/hello-fresh-rebrand> [Accessed 15 October 2021]. Uk.womensbest.com. 2021. Women’s Best. [online] Available at: <https://uk.womensbest.com/> [Accessed 15 October 2021].
Typography/ Healthy Eating Read More »
Christopher Raeburn is a responsible fashion designer based in East London, Stratford. Raeburn’s ethos is to create sustainable fashion pieces using the innovative approach of ‘RÆMADE, RÆDUCED, RÆCYCLED, and RÆBURN’ (RÆBURN. 2021). The fashion industry is one of the largest polluters, and ‘less than 1% of used clothing is recycled into new garments’ (worldbank.org. 2021). This creates considerable increases in global carbon emissions, massively impacting the effects of climate change. Raeburn reworks old garments and uses leftover fabrics to create new, functional pieces inspired by military and utilitarian clothing. Raeburn launched a collaborative, community project to share the true meaning and integrity behind sustainable living and his innovative approach to fashion. As a brand, ‘Raeburn’ is striving to path the way for new responsible designers and encourage communities across the world to live more sustainably, choosing more ethical approaches to everyday life and educating people on the side effects of fast fashion. Therefore, creating a healthier environment and reducing the damaging effects of climate change. Raeburn’s abstract logo incorporates the main elements unified throughout his brand’s identity. The iconic logo is an interpretation of a universal air force parachute. The crest contains four neutral colour segments with a webbed overlay, a bold outline, and the RÆBURN branding. The colours used in the emblem include orange, sand, white, and olive, which all relate to camouflage seen in his original idea of reworking old military clothing. The colours combined with his sustainability ethos could link to World War 2, Make Do and Mend, and rationing. The earthy colours express a sense of safety, whilst the webbing of the parachute suggests stitching, repair, and forming alliances. The A and E in the bold typography are overlapping, which imply being reworked and sewn together to create something new out of the old. Therefore, portraying his brand as sustainable, responsible, and honest. BaySixty6 is a non-profit skate park organisation based in North Kensington, London. Although many articles suggest this is not the case, Skate parks are typically stereotyped as a beacon for anti-social behaviour and problematic youths. ‘Young people make a significant contribution to the economic and social vitality of city centres in the UK, yet others often frown upon their presence and activities.’ (Skateboarding: The City as a Playground, 2021). BaySixty6 have many objectives including, providing a safe space for people of all ages to enjoy the urban sport, offering support for parents and schools in the local area and providing classes for overall self-improvement, including mental and physical health. In addition, they provide excellent opportunities for people most at risk of social exclusion and prevent anti-social behaviour in the community, therefore creating a safer environment for the public and breaking the stereotype. The BaySixty6 logo could be improved conceptually, as the design does not convey its goals to its audience. The emblem encompasses an interpretation of an umbrella with bold typography layered over the top. The thought process behind the new logo was to incorporate skateboarding and the community whilst also keeping aspects of the original logo. The original composition and typeface of the logo work well with the new concept. Keeping the typeface but adjusting it slightly has created a new effect. For example, the letter ‘Y’ in Sixty has been replaced with a V-sign representing youth and harmony across different communities. The V-sign was used as an offensive gesture in the past, but ‘In the 1960s, however, it was annexed by American, and later British, youth as the ‘Peace sign’,’ (V-sign, 2021). In addition, the skateboard has been merged with the 6 to make it more compact and illustrative whilst including the sport, overall creating a more exciting logo that conveys the organisation’s goals using imagery and typography as one. References Baines, J., 2021. <em>Fashion studio Christopher Raeburn unveils new logo and rebrands as Raeburn</em>. [online] Itsnicethat.com. Available at: <https://www.itsnicethat.com/news/christopher-raeburn-rebrand-new-logo-graphic-design-160119?fbclid=IwAR3n-wAzdCS7JRRpsWG7teDA-rSvrP1U4mdMGrgAiHADq-WLRcLWD4EqySw> [Accessed 6 October 2021] BAYSIXTY6 Skate Park. 2021. <em>Charity – BAYSIXTY6 Skate Park</em>. [online] Available at: <https://www.baysixty6.com/charity/> [Accessed 6 October 2021. Oxford Reference. 2021. <em>V-sign</em>. [online] Available at: <https://www.oxfordreference.com/view/10.1093/oi/authority.20110803120300620> [Accessed 14 October 2021]. RÆBURN. 2021. <em>RÆBURN</em>. [online] Available at: <https://www.raeburndesign.co.uk/pages/about> [Accessed 6 October 2021]. Shearsmith, T., 2021. <em>Christopher Raeburn to launch East London community design lab | The Industry Fashion</em>. [online] The Industry Fashion. Available at: <https://www.theindustry.fashion/christopher-raeburn-to-launch-east-london-community-design-lab/> [Accessed 6 October 2021]. Taylor & Francis. 2021. <em>Skateboarding: The City as a Playground</em>. [online] Available at: <https://www.tandfonline.com/doi/abs/10.1080/13574800120057845> [Accessed 6 October 2021]. Worldbank.org. 2021. <em>How Much Do Our Wardrobes Cost to the Environment?</em>. [online] Available at: <https://www.worldbank.org/en/news/feature/2019/09/23/costo-moda-medio-ambiente> [Accessed 6 October 2021].
Conceptual Design/Community Projects (Social Enterprise) Read More »